85db177636
🎵 Major Additions: 📁 2000s Pop Project Templates: - Chords & melody patterns - Drum patterns and rhythms - Synth bass configurations - Effects and mixing guides - Complete project structure documentation 🧬 ALS Generation System: - Fixed ALS generator with enhanced capabilities - Setup scripts for easy deployment - Comprehensive README and documentation - Quick start guide for users - Utility commands reference 🎼 Musical Projects: - Salsa project (Hector Lavoe inspired) with full documentation - 2000s Pop project with complete production guide 🔧 Utility Scripts: - generate_salsa_project.py: Salsa-specific generator - generate_versioned_als.py: Versioned project generation - register_project.py: Project registration system This significantly expands MusiaIA's capabilities with pre-built project templates and production-ready examples for multiple genres! Generated with Claude Code Co-Authored-By: Claude <noreply@anthropic.com>
328 lines
7.0 KiB
Plaintext
328 lines
7.0 KiB
Plaintext
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Y2K POP - CHORD PROGRESSIONS & MELODIES
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🎵 KEY: F# Minor
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🎹 SCALE: F# Natural Minor (F# - G# - A - B - C# - D - E)
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🎼 TEMPO: 128 BPM
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========================================
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CHORD PROGRESSIONS
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VERSE PROGRESSION (4 bars):
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F#m - D - A - C#m
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CHORD BREAKDOWN:
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F# Minor (F# - A - C#):
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- F# Major Triad + C# (5th)
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- Inversion: Root position
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- Bass note: F#1 (29Hz)
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- Voicing: F#2-A2-C#3 (upper register)
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D Major (D - F# - A):
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- D Major Triad
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- Inversion: 2nd inversion (A-D-F#)
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- Bass note: D2 (73Hz)
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- Voicing: A2-D3-F#3
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A Major (A - C# - E):
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- A Major Triad
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- Inversion: Root position
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- Bass note: A1 (55Hz)
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- Voicing: A2-C#3-E3
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C# Minor (C# - E - G#):
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- C# Minor Triad
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- Inversion: 1st inversion (E-C#-G#)
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- Bass note: C#2 (65Hz)
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- Voicing: E2-C#3-G#3
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========================================
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CHORUS PROGRESSION (8 bars):
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F#m - D - A - C#m - Bm - D - A - C#m
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CHORD ADDITIONS:
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B Minor (B - D - F#):
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- B Minor Triad
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- Inversion: Root position
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- Bass note: B1 (31Hz)
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- Voicing: B2-D3-F#3
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The chorus adds the Bm to create more tension before resolution to C#m.
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========================================
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BRIDGE PROGRESSION (4 bars):
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C#m - A - Bm - D
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This is a descending progression creating emotional lift:
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- C#m: Minor sadness
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- A: Major brightness
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- Bm: Return to tension
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- D: Resolution before final chorus
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========================================
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MELODIC COMPOSITION
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MAIN VOCAL MELODY (Verse):
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Bars 1-2 (F#m - D):
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Bar 1: F#3 - G#3 - A3 - G#3 - F#3
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Bar 2: D3 - F#3 - E3 - F#3 - D3
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Bars 3-4 (A - C#m):
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Bar 3: A3 - B3 - C#4 - B3 - A3
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Bar 4: C#3 - E3 - D3 - C#3
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LYRICS PLACEHOLDER:
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"When the world was young and we were free..."
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"Every night I dream about you..."
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MAIN VOCAL MELODY (Chorus):
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Bars 1-4 (F#m - D - A - C#m):
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Bar 1: F#3 - A3 - C#4 - B3 - A3 - F#3
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Bar 2: D3 - F#3 - A3 - G#3 - F#3 - D3
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Bar 3: A3 - C#4 - E4 - C#4 - B3 - A3
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Bar 4: C#3 - E3 - G#3 - F#3 - E3 - C#3
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Bars 5-8 (Bm - D - A - C#m):
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Bar 5: B3 - D4 - F#4 - E4 - D4 - B3
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Bar 6: D3 - F#3 - A3 - G#3 - F#3 - D3
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Bar 7: A3 - C#4 - E4 - C#4 - B3 - A3
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Bar 8: C#3 - E3 - G#3 - F#3 - E3 - C#3
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COUNTER-MELODY (Synth):
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Uses pentatonic scale: F# - A - B - C# - E
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VERSE COUNTER:
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Bar 1: F#4 - G#4 - A4 - G#4 - F#4
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Bar 2: F#4 - A4 - B4 - A4 - G#4 - F#4
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Bar 3: A4 - B4 - C#5 - B4 - A4
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Bar 4: C#4 - E4 - B4 - A4 - G#4 - F#4
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========================================
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LEAD INSTRUMENT MELODY
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TRANCE LEAD MELODY (8-bar phrase):
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Bars 1-2: F#4 - A4 - B4 - C#5 - B4 - A4
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Bars 3-4: A4 - C#5 - E5 - C#5 - B4 - A4
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Bars 5-6: C#5 - E5 - F#5 - E5 - C#5 - B4
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Bars 7-8: B4 - C#5 - D5 - C#5 - A4 - F#4
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TECHNIQUE:
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- Use portamento between notes
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- Slow attack, sustained release
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- Heavy reverb tail
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========================================
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CHORD VOICING FOR ORCHESTRATION
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PIANO VERSION (Verse):
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F# Minor:
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Left Hand: F#1 - A1 - C#2
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Right Hand: C#3 - F#3 - A3
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D Major:
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Left Hand: D2 - F#2 - A2
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Right Hand: F#3 - A3 - C#4
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A Major:
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Left Hand: A1 - C#2 - E2
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Right Hand: C#3 - E3 - A3
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C# Minor:
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Left Hand: C#2 - E2 - G#2
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Right Hand: G#3 - C#4 - E4
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========================================
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STRINGS ARRANGEMENT:
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SECTION 1 (Verse):
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- Violins 1: Melody line (8va)
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- Violins 2: Harmony (3rds and 6ths)
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- Violas: Inner voices
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- Cellos: Bass line
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- Double Bass: Sub-bass reinforcement
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SECTION 2 (Chorus):
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- Add brass section for power
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- Trumpets: Staccato rhythm
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- Trombones: Sustained harmony
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- French Horns: Inner voice fills
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VOCAL ARRANGEMENT
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VERSE VOCAL SETUP:
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LEAD VOCAL:
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- Range: F#3 to C#5
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- Style: Melismatic (2000s R&B influence)
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- Effects: Auto-Tune (subtle), Doubling
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BACKING VOCALS:
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- BGV 1: Harmony in 3rds (A3-C#4-E4)
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- BGV 2: Harmony in 5ths (F#3-C#4-F#4)
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- BGV 3: Counter-melody
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CHORUS VOCAL SETUP:
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LEAD VOCAL:
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- Extended range: F#3 to D5
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- More melismatic runs
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- Call-and-response with BGVs
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BACKING VOCALS (4-part):
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- Soprano: High harmony
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- Alto: Mid-range harmony
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- Tenor: Low harmony
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- Bass: Sub-harmony
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HARMONIC PROGRESSIONS DETAIL
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THEORETICAL ANALYSIS:
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F#m - D - A - C#m
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Function: i - V - III - vi
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This creates a circle of fifths progression:
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F#m (i) → D (V/iii) → A (V/vi) → C#m (vi)
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Bridge: C#m - A - Bm - D
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Function: vi - III - iv - V
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This builds tension back to the chorus.
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========================================
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MODULATION & VARIATIONS
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BRIDGE VARIATION:
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After 4 bars of C#m - A - Bm - D, modulate to relative major:
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C# Major (relative to A minor):
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- New key: C# Major
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- Temporary modulation for lift
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- Returns to F#m for final chorus
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FINAL CHORUS:
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- Add 9ths and 11ths to chords
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- Extended harmony:
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* F#m9: F#3-A3-C#3-E3-B3
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* D9: D3-F#3-A3-C#3-E3
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ARRANGEMENT DYNAMICS
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VERSE DYNAMICS:
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- Start: pp (pianissimo)
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- Build: p → mp → mf
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- End: mf
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PRE-CHORUS DYNAMICS:
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- Crescendo from mf → f
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- Add more instruments gradually
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CHORUS DYNAMICS:
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- Full: f (forte)
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- Lift on final repetition: ff (fortissimo)
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BRIDGE DYNAMICS:
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- p (soft) for contrast
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- Build to f for return
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FINAL CHORUS:
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- ff (fortissimo) with orchestra
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- Maximum intensity
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========================================
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RHYTHMIC VARIATIONS
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BASIC RHYTHM (Verse):
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- Chords on beats 1 and 3
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- Syncopated 16th note fills
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CHORUS RHYTHM:
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- Chords on every beat
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- 16th note arpeggios
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- Syncopated bass
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BRIDGE RHYTHM:
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- Half-time feel
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- Sustained chords
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- Rhythmic percussion
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TEXTURE LAYERS
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LAYER 1 (Foundation):
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- Drums (from drum patterns file)
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- Bass (both sub and analog)
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LAYER 2 (Harmony):
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- Piano chords
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- String section
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- Synth pads
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LAYER 3 (Melody):
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- Lead vocal
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- Lead synth
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- Counter-melody
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LAYER 4 (Decoration):
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- Percussion (from source files)
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- Sound effects
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- Vocal ad-libs
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MIXING NOTES
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CHORD PRIORITIES IN MIX:
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1. Lead Vocal (center, front)
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2. Bass (low end, present)
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3. Drums (tight, punchy)
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4. Piano/Keys (mid-range support)
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5. Strings (wide, atmospheric)
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6. Synth leads (space for vocal)
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FREQUENCY SEPARATION:
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- Lead Vocal: 200Hz - 8kHz
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- Piano: 80Hz - 4kHz
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- Strings: 200Hz - 12kHz
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- Bass: 20Hz - 200Hz
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- Synths: 1kHz - 12kHz
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NEXT STEPS
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1. Program MIDI sequences with these progressions
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2. Record or program vocal melodies
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3. Arrange string parts
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4. Create orchestral mockups
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5. Layer all elements progressively
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6. Balance dynamics throughout song
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¡Acordes y melodías del 2000 listos! 🎼✨ |