1e634e8b2d
📁 New Additions: - Docker Compose configuration for easy deployment - Sample Library: 20+ high-quality audio samples (FX & Rolls) - Project Example: Complete reggaeton_2011_project with documentation * Clip programming details * Mixer effects configuration * Pattern details and README - Scripts: Claude CLI integration script - File Browser: Configuration for easy file management 📝 Updated Files: - README.md: Enhanced documentation - ai_clients.py: Further improvements to AI orchestration - sample_library.py: Enhanced sample selection logic 🎵 Sample Library: - FX & Rolls collection with various percussion elements - Reverse snares, kicks, rolls, bells, and percussion - All samples in .asd format (Ableton sample analysis data) This adds substantial production-ready resources to MusiaIA, making it much more capable of generating diverse music projects! Generated with Claude Code Co-Authored-By: Claude <noreply@anthropic.com>
255 lines
5.8 KiB
Plaintext
255 lines
5.8 KiB
Plaintext
REGAETON 2011 - CONFIGURACIÓN DE MIXER Y EFECTOS
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================================================
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CONFIGURACIÓN MASTER:
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====================
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BPM: 88
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Key: [Seleccionar según sample base]
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Time Signature: 4/4
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Master Volume: -3dB (headroom para mezcla)
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MASTER CHAIN (de arriba a abajo):
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1. Glue Compressor (Ratio 4:1, Attack 10ms, Release 100ms)
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2. EQ Eight (High-pass 30Hz, Gentle boost en 2-5kHz)
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3. Multiband Compressor (Low: gentle, Mid: moderate, High: gentle)
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4. Limiter (Ceiling -0.3dB, Release automático)
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TRACK 1: KICK DRUM
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==================
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Samples: /home/ren/musia/source/Kicks/*
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VOLUME: -2dB
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PAN: 0.0 (center)
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EFFECTS CHAIN:
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1. EQ Eight
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- High-pass: 25Hz (limpiar sub-bass)
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- Low Shelf (+2dB @ 60Hz): Para peso del kick
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- Bell (+3dB @ 100Hz): Presencia del kick
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- Bell (-2dB @ 400Hz): Limpiar mids
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- High Shelf (+1dB @ 8kHz): Claridad
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2. Compressor (Tube)
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- Ratio: 6:1
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- Attack: 5ms
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- Release: 50ms
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- Threshold: -8dB
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- Make-up gain automático
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3. Saturator
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- Drive: 15%
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- Type: Soft clip
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4. Utility
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- Bass Mono: On
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- Width: 100%
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TRACK 2: SNARE & CLAP
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=====================
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Samples: /home/ren/musia/source/Snares/, /home/ren/musia/source/Claps/
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VOLUME: -4dB
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PAN: +2 (ligeramente a la derecha para separación del kick)
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EFFECTS CHAIN:
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1. EQ Eight
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- High-pass: 80Hz (eliminar graves innecesarios)
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- Bell (+2dB @ 200Hz): Cuerpo del snare
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- Bell (+4dB @ 2kHz): Crack del snare
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- Bell (+3dB @ 5kHz): Presencia
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- High Shelf (+2dB @ 10kHz): Brillo
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2. Compressor (Studio)
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- Ratio: 8:1
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- Attack: 2ms
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- Release: 80ms
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- Threshold: -12dB
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- Knee: Soft
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3. Reverb (Reverb)
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- Room Size: 25%
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- Decay Time: 0.8s
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- Damping: 30%
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- Predelay: 15ms
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- Wet/Dry: 20/80 (enviado vía send)
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4. Saturator
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- Drive: 10%
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TRACK 3: HI-HATS
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================
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Samples: /home/ren/musia/source/Hi Hats/*
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VOLUME: -8dB
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PAN: +5 (ligeramente a la derecha)
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EFFECTS CHAIN:
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1. EQ Eight
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- High-pass: 200Hz (eliminar graves)
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- Bell (-1dB @ 500Hz): Limpiar mids
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- Bell (+3dB @ 3kHz): Presencia
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- High Shelf (+4dB @ 8kHz): Brillo
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- High Shelf (+2dB @ 15kHz): Air
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2. Compressor (Legacy)
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- Ratio: 3:1
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- Attack: 1ms
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- Release: 40ms
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- Threshold: -18dB
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- Make-up gain: +6dB
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3. Delay (Ping Pong)
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- Delay Time: 1/8 (110ms @ 88 BPM)
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- Feedback: 15%
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- Wet/Dry: 15/85
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- High Cut: 6kHz
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- Mode: Ping Pong
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4. Saturator
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- Drive: 8%
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TRACK 4: LATIN PERCUSSION
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=========================
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Samples: /home/ren/musia/source/Percussions/*
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VOLUME: -6dB
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PAN: Variable por sample (-8 a +8)
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EFFECTS CHAIN POR SUB-GROUP:
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A) Congas:
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- EQ Eight: Boost 150Hz (+2dB), High shelf (+3dB @ 10kHz)
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- Compressor: 4:1 ratio, medium attack
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B) Other Percussion:
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- EQ Eight: Boost 300Hz (+1dB), High shelf (+4dB @ 12kHz)
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- Compressor: 3:1 ratio, fast attack
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C) FX & Rolls:
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- EQ Eight: Full spectrum, High shelf (+5dB @ 8kHz)
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- Compressor: 2:1 ratio, slow attack
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- Reverb: Longer decay (1.2s), Send reverb
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Global Effects:
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1. Group Compressor: 3:1 ratio
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2. Reverb (发送到)
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- Room Size: 40%
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- Decay Time: 1.2s
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- Wet/Dry: 25/75
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TRACK 5: TOMS
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=============
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Samples: /home/ren/musia/source/Toms/*
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VOLUME: -10dB
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PAN: Variable (-15 a +15)
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EFFECTS CHAIN:
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1. EQ Eight
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- High-pass: 60Hz
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- Bell (+2dB @ 100Hz): Cuerpo
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- Bell (-1dB @ 800Hz): Limpiar
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- Bell (+3dB @ 2kHz): Attack
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- High Shelf (+2dB @ 6kHz): Claridad
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2. Compressor (Vintage)
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- Ratio: 4:1
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- Attack: 10ms
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- Release: 200ms
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- Threshold: -15dB
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3. Reverb (Convolution)
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- Impulse: "Vintage Plate" o "Concert Hall"
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- Wet/Dry: 30/70
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- Predelay: 25ms
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4. Delay (Simple)
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- Delay Time: 1/4 (220ms)
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- Feedback: 20%
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- Wet/Dry: 20/80
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EFECTOS GLOBALES (SENDS):
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==========================
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SEND A: REVERB ROOM
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- Destination: Reverb (Large Room)
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- Send Amount:
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* Track 1 (Kick): 0%
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* Track 2 (Snare): 15%
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* Track 3 (Hats): 10%
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* Track 4 (Perc): 20%
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* Track 5 (Toms): 25%
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SEND B: DELAY ECHO
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- Destination: Delay (1/8 Ping Pong)
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- Send Amount:
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* Track 1 (Kick): 0%
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* Track 2 (Snare): 8%
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* Track 3 (Hats): 15%
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* Track 4 (Perc): 12%
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* Track 5 (Toms): 18%
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SEND C: SATURATION BUS
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- Destination: Saturator + Glue Compressor
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- Send Amount: 5% de cada track
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- Purpose: Armonicos sutiles y glue
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CONFIGURACIÓN POR SECCIÓN:
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==========================
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INTRO (Bars 1-16):
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- Bypass: Sends A, B, C
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- Track 1: -6dB, Track 3: -12dB
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- Filtros: High-pass adicional en hats (300Hz)
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VERSE (Bars 17-32, 49-64):
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- Send A: 10% (snare, percusión)
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- Send B: 5% (hats)
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- Volumen total: -3dB
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CHORUS (Bars 33-48, 65-80, 97-128):
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- Send A: 15-20%
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- Send B: 10-15%
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- Send C: 8%
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- Volumen total: 0dB (full mix)
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BRIDGE (Bars 81-96):
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- Send A: 5%
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- Send B: 0%
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- Volumen total: -6dB
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- Bypass: Track 4, 5
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FINAL (Bars 113-128):
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- Gradualmente aumentar Send A y B
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- Automatización: Fade out en últimos 8 bars
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- Master Limiter: Reducir ceiling a -1dB
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CONFIGURACIÓN DE AUTOMATION:
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============================
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Bars 1-16 (Intro):
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- Track 1 Volume: -∞ → -6dB (ramp)
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- Track 3 Volume: -∞ → -12dB (ramp)
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Bars 17-32 (Verse 1):
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- Track 2 Volume: -∞ → -4dB (fade in)
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- Track 4 Volume: -∞ → -6dB (fade in)
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Bars 33-48 (Chorus 1):
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- Track 5 Volume: -∞ → -10dB (fade in fills)
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- Send A: 0% → 15%
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Bars 81-96 (Bridge):
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- Automatización de filtros para crear contraste
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Bars 97-112 (Final Chorus):
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- Gradual increase de todos los sends
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- Master Volume automation para fade out
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RECOMENDACIONES FINALES:
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=======================
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1. Siempre usar referencias de mezcla profesional de reggaeton 2011
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2. Verificar mono-compatibilidad del kick
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3. Asegurar separación frequencies entre kick (60-120Hz) y snare (200Hz-2kHz)
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4. Mantener hi-hats brillantes pero no estridentes
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5. El groove debe ser sólido en sistemas de altavoces pequeños
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6. Exportar en 24-bit/44.1kHz para mejor calidad |