85db177636
🎵 Major Additions: 📁 2000s Pop Project Templates: - Chords & melody patterns - Drum patterns and rhythms - Synth bass configurations - Effects and mixing guides - Complete project structure documentation 🧬 ALS Generation System: - Fixed ALS generator with enhanced capabilities - Setup scripts for easy deployment - Comprehensive README and documentation - Quick start guide for users - Utility commands reference 🎼 Musical Projects: - Salsa project (Hector Lavoe inspired) with full documentation - 2000s Pop project with complete production guide 🔧 Utility Scripts: - generate_salsa_project.py: Salsa-specific generator - generate_versioned_als.py: Versioned project generation - register_project.py: Project registration system This significantly expands MusiaIA's capabilities with pre-built project templates and production-ready examples for multiple genres! Generated with Claude Code Co-Authored-By: Claude <noreply@anthropic.com>
495 lines
10 KiB
Plaintext
495 lines
10 KiB
Plaintext
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Y2K POP - EFFECTS & MIXING GUIDE
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========================================
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🎛️ MIXING PHILOSOPHY: Clean, punchy, radio-ready
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🎚️ STYLE: Pop del 2000 con carácter retro-futurista
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🌟 REFERENCE: Britney Spears, *NSYNC, Destiny's Child era
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========================================
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MASTER CHAIN SETUP
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========================================
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MASTER BUS CHAIN (Left to Right):
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1. Utility (Gain: -6dB)
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2. Glue Compressor (Ratio: 4:1, Attack: 5ms, Release: 100ms)
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3. EQ Eight (High Pass: 20Hz, Low Pass: 18kHz)
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4. Saturator (Drive: 15%)
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5. Multiband Compressor
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- Low Band: 80Hz, Ratio 2:1
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- Mid Band: 1kHz, Ratio 3:1
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- High Band: 8kHz, Ratio 2.5:1
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6. Stereo Imager (Width: 120%)
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7. Multiband Envelope Shaper
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8. Limiter (Ceiling: -0.3dB, Release: 50ms)
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MASTER SETTINGS:
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- Output Level: -6dB
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- Phase: Linear Phase
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- Stereo Link: On
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========================================
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DRUM MIXING
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========================================
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KICK DRUM (source/Kicks/70_Kick.wav):
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CHAIN:
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1. EQ Three
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- Low Shelf: +3dB at 60Hz
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- High Shelf: +1dB at 5kHz
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- Bell: +2dB at 3kHz
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2. Compressor
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- Ratio: 6:1
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- Attack: 3ms
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- Release: 80ms
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- Threshold: -12dB
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3. Saturator (Tube)
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- Drive: 25%
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4. Sidechain (To Lead Synths)
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- Frequency: 120Hz
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- Range: -6dB
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SNARE DRUM (source/Snares/54_Snare.wav):
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CHAIN:
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1. EQ Three
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- High Pass: 40Hz
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- Bell: +4dB at 200Hz
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- Bell: +3dB at 2kHz
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- High Shelf: +2dB at 8kHz
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2. Parallel Compressor
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- Compressor A: Ratio 8:1, Fast attack
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- Compressor B: Ratio 2:1, Slow attack
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3. Reverb (Hall)
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- Pre-Delay: 15ms
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- Decay: 800ms
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- Wet/Dry: 15%
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4. Multiband Envelope Shaper (High freq)
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HI-HAT (source/Hi Hats/79_Hat.wav + 90_Hat.wav):
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CHAIN:
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1. EQ Eight
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- High Pass: 200Hz
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- Low Pass: 10kHz
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- Bell: +2dB at 6kHz
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2. Compressor (Fast)
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- Ratio: 4:1
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- Attack: 1ms
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- Release: 50ms
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3. Transient Shaper (Enhance attack)
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CLAP (source/Claps/88_Clap.wav + 95_Clap.wav):
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CHAIN:
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1. EQ Seven
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- High Pass: 100Hz
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- Bell: +3dB at 400Hz
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- High Shelf: +2dB at 10kHz
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2. Compressor
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- Ratio: 5:1
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- Attack: 2ms
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- Release: 100ms
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3. Reverb (Short room)
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- Decay: 300ms
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- Wet/Dry: 10%
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========================================
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BASS MIXING
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========================================
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SUB BASS:
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CHAIN:
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1. EQ One
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- Low Shelf: +4dB at 40Hz
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- High Pass: 25Hz
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- Bell: -2dB at 200Hz
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2. Compressor
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- Ratio: 8:1
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- Attack: 10ms
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- Release: 150ms
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- Makeup: +3dB
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3. Saturator (Warm)
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- Drive: 30%
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4. Auto-Filter (Sidechain to Kick)
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- Frequency: 50Hz
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- Envelope: -12dB
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ANALOG BASS:
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CHAIN:
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1. EQ Three
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- High Pass: 40Hz
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- Bell: +3dB at 80Hz
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- Bell: +2dB at 300Hz
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- Low Pass: 5kHz
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2. Chorus (Dual)
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- Rate: 0.6Hz
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- Depth: 30%
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- Wet/Dry: 40%
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3. Compressor
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- Ratio: 4:1
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- Attack: 20ms
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- Release: 200ms
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4. Multiband Envelope Shaper
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========================================
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SYNTH MIXING
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========================================
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TRANCE LEAD (source/Synth Track 3):
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CHAIN:
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1. EQ Eight
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- High Pass: 100Hz
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- Bell: +2dB at 1.5kHz
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- High Shelf: +3dB at 8kHz
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2. Reverb (Hall)
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- Pre-Delay: 25ms
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- Decay: 2.2s
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- Wet/Dry: 30%
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- Size: Large
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3. Ping-Pong Delay
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- Time: 1/8 note
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- Feedback: 25%
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- High Cut: 6kHz
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- Wet/Dry: 20%
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4. Chorus
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- Rate: 0.4Hz
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- Depth: 35%
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- Wet/Dry: 30%
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5. Compressor (Parallel)
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- Slow attack for punch
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PLUCK SYNTH:
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CHAIN:
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1. EQ Seven
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- High Pass: 150Hz
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- Bell: +2dB at 2kHz
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- High Shelf: +1dB at 10kHz
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2. Reverb (Plate)
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- Decay: 1.2s
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- Pre-Delay: 10ms
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- Wet/Dry: 15%
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3. Compressor
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- Ratio: 3:1
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- Attack: 5ms
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- Release: 100ms
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AMBIENT PAD:
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CHAIN:
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1. EQ Eight (Gentle)
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- High Pass: 80Hz
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- Low Pass: 8kHz
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2. Reverb (Cathedral)
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- Decay: 4s
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- Pre-Delay: 50ms
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- Wet/Dry: 40%
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3. Chorus (Slow)
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- Rate: 0.2Hz
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- Depth: 50%
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- Wet/Dry: 25%
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4. Multiband Compressor
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- Gentle compression
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========================================
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VOCAL MIXING
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========================================
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LEAD VOCAL:
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CHAIN:
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1. De-Esser
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- Frequency: 6kHz
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- Threshold: -15dB
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2. EQ Three
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- High Pass: 80Hz
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- Bell: +3dB at 250Hz
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- Bell: +2dB at 2kHz
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- Bell: +3dB at 10kHz
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3. Compressor 1 (Fast)
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- Ratio: 5:1
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- Attack: 3ms
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- Release: 50ms
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- Threshold: -18dB
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4. Compressor 2 (Slow)
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- Ratio: 2:1
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- Attack: 30ms
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- Release: 300ms
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- Threshold: -8dB
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5. Auto-Tune
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- Correction: 50%
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- Speed: 75%
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6. Reverb (Hall)
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- Decay: 1.8s
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- Pre-Delay: 30ms
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- Wet/Dry: 20%
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7. Delay (Dotted 1/8)
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- Time: 280ms
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- Feedback: 15%
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- Wet/Dry: 10%
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BACKING VOCALS:
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CHAIN:
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1. High Pass: 120Hz
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2. Compressor: 3:1 ratio
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3. Reverb (Short room): 15% wet
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4. Stereo delay: 15ms L/R offset
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========================================
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STEREO IMAGING
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========================================
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ELEMENT POSITIONING:
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CENTER:
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- Lead Vocal
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- Kick Drum
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- Sub Bass
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- Main Snare
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SLIGHT LEFT:
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- Analog Bass
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- Lead Synth
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SLIGHT RIGHT:
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- Piano
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- Pluck Synth
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WIDE LEFT:
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- BGV 1
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- String section (left)
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WIDE RIGHT:
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- BGV 2
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- String section (right)
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FULL WIDTH:
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- Ambient Pad
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- Hi-Hat (panning automation)
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- Percussion
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========================================
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AUTOMATION CURVES
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========================================
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KICK COMPRESSION (Through Song):
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Verse: Ratio 4:1
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Pre-Chorus: Ratio 5:1
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Chorus: Ratio 6:1
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Bridge: Ratio 2:1 (loose)
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HI-HAT FILTER SWEEP:
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Bar 1-4: Closed (100Hz cutoff)
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Bar 5-8: Open (full range)
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Bar 9-12: Medium (2kHz cutoff)
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Bar 13-16: Closed → Open sweep
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SNARE REVERB SEND:
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Verse: -20dB
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Pre-Chorus: -15dB
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Chorus: -10dB
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Bridge: -25dB
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LEAD SYNTH VOLUME:
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Intro: -∞dB → -12dB (bar 8)
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Verse: -12dB
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Pre-Chorus: -8dB
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Chorus: 0dB (full)
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Bridge: -18dB
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Final Chorus: 0dB
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VOCAL DOUBLING:
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Verse: No doubling
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Pre-Chorus: Light doubling
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Chorus: Full doubling
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Bridge: Single vocal
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Final Chorus: Triple layering
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========================================
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FREQUENCY SEPARATION CHART
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========================================
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20-40Hz: Sub Bass fundamentals
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40-80Hz: Kick punch, Sub bass presence
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80-160Hz: Bass warmth, Snare body
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160-320Hz: Vocal presence, Piano fundamental
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320-640Hz: Vocal clarity, Synth mid
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640Hz-1.3kHz: Vocal mids, Guitar overtones
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1.3-2.5kHz: Vocal consonants, Snare snap
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2.5-5kHz: Vocal presence, Hi-hat attack
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5-10kHz: Vocal air, Cymbals, Synth sparkle
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10-20kHz: Ambient, Reverb tails
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========================================
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EFFECTS AUTOMATION
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========================================
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INTRO AUTOMATION:
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- Reverb sends: 0% → 20% (gradual build)
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- Compression: Loose → tight
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- Filter sweeps: Closed → open
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VERSE AUTOMATION:
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- Vocal reverb: Constant 20%
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- Hi-hat pan: L → R → L (slow)
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- Synth filter: Static
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PRE-CHORUS AUTOMATION:
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- Reverb sends: +5% on all elements
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- Delay feedback: +10%
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- Compression: Tighter ratios
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CHORUS AUTOMATION:
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- All reverb sends: Full level
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- Stereo width: Maximum
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- Lead vocal: Auto-Tune more subtle
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BRIDGE AUTOMATION:
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- Most effects: Dramatic reduction
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- Vocal reverb: Increased (contrast)
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- Hi-hat: Increased movement
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FINAL CHORUS AUTOMATION:
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- All effects: Maximum
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- Add extra delay on lead vocal
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- Pitch bend effects on synth
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========================================
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SIDE CHAIN SETUP
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========================================
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KICK TO BASS:
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- Frequency: 80Hz
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- Range: -8dB
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- Release: Auto
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KICK TO LEAD SYNTH:
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- Frequency: 200Hz
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- Range: -4dB
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- Release: 200ms
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SNARE TO PAD:
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- Frequency: 1kHz
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- Range: -3dB
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- Release: Auto
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========================================
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VOCAL LAYERING GUIDE
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VERSE LAYERS:
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- Lead: Solo
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- Double: No
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- Harmony: Minimal (one BGV)
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PRE-CHORUS LAYERS:
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- Lead: Main
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- Double: Light touch
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- Harmony: Basic 3-part
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CHORUS LAYERS:
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- Lead: Full
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- Double: Heavy (2-3 tracks)
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- Harmony: Full 4-part arrangement
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- Ad-libs: Minimal
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FINAL CHORUS LAYERS:
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- Lead: Triple tracked
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- Double: Multiple
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- Harmony: Full choir-like
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- Ad-libs: Extensive
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========================================
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MASTERING TOUCHES
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========================================
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FINAL MASTER CHAIN:
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1. Linear Phase EQ
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- Slight high-pass at 25Hz
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- Gentle low-pass at 20kHz
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- +/- 0.5dB corrections
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2. Multiband Compression
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- Low: 2:1 ratio, soft knee
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- Mid: 3:1 ratio, medium knee
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- High: 2.5:1 ratio, soft knee
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3. Stereo Enhancement
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- Mid/Side processing
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- Gentle high-frequency widening
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4. Limiting
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- Peak Limit: -0.3dB
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- Look-ahead: 5ms
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- Release: 50ms
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LOUDNESS TARGET:
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- Integrated LUFS: -14
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- True Peak: -1.0dBTP
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- Dynamic Range: 7-9 LU
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========================================
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EXPORT SETTINGS
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========================================
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MASTER OUTPUT:
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- Sample Rate: 44.1kHz
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- Bit Depth: 24-bit
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- Format: WAV
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INDIVIDUAL TRACKS:
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- Export each instrument separately
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- 44.1kHz, 24-bit
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- For mixing/mastering externally
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MIXDOWN VERSIONS:
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1. Instrumental (no vocals)
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2. A cappella (vocals only)
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3. TV mix (vocals + music)
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========================================
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REAL-TIME PERFORMANCE SETUP
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========================================
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LIVE PERFORMANCE RACKS:
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1. Drum Rack (all source samples)
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2. Bass Synth Rack
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3. Lead Synth Rack
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4. Vocal FX Rack
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5. Master FX Rack
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MIDI MAPPING:
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- Crossfader: For mix blending
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- Macro controls: For real-time tweaks
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- Track volumes: Individual control
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PERFORMANCE AUTOMATIONS:
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- Pre-programmed automation clips
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- Real-time manual control
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- Scene-based transitions
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========================================
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QUALITY CONTROL CHECKLIST
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========================================
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□ All elements fit in frequency spectrum
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□ No masking between bass and kick
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□ Vocal sits clearly in mix
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□ Hi-hats provide movement without fatigue
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□ Reverb creates space without mud
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□ Compression maintains punch
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□ Stereo imaging creates width without phase issues
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□ Transitions smooth between sections
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□ Overall loudness competitive
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□ No digital clipping
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□ Phase relationships correct
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□ Mastering chain transparent
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========================================
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NEXT STEPS
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========================================
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1. Import all source samples to Ableton
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2. Set up effect chains per track
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3. Create automation clips
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4. Mix all elements together
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5. Apply mastering chain
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6. Export and reference against pop hits of 2000
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7. Make final adjustments
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¡Pista de pop del 2000 completa! 🎵🔥 |