1e634e8b2d
📁 New Additions: - Docker Compose configuration for easy deployment - Sample Library: 20+ high-quality audio samples (FX & Rolls) - Project Example: Complete reggaeton_2011_project with documentation * Clip programming details * Mixer effects configuration * Pattern details and README - Scripts: Claude CLI integration script - File Browser: Configuration for easy file management 📝 Updated Files: - README.md: Enhanced documentation - ai_clients.py: Further improvements to AI orchestration - sample_library.py: Enhanced sample selection logic 🎵 Sample Library: - FX & Rolls collection with various percussion elements - Reverse snares, kicks, rolls, bells, and percussion - All samples in .asd format (Ableton sample analysis data) This adds substantial production-ready resources to MusiaIA, making it much more capable of generating diverse music projects! Generated with Claude Code Co-Authored-By: Claude <noreply@anthropic.com>
119 lines
3.8 KiB
Plaintext
119 lines
3.8 KiB
Plaintext
REGAETON 2011 - PROGRAMACIÓN ESPECÍFICA DE CLIPS
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==================================================
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CONFIGURACIÓN BPM: 88
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LONGITUD: 128 compases (32 bars x 4 beats)
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TRACK 1: KICK DRUM (Principal)
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------------------------------
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Archivo: /home/ren/musia/source/Kicks/01_Kick.wav
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Patrón Dembow:
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BAR 1-4: [Kick] [---] [Kick] [---] (repeat)
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BAR 5-8: [Kick] [---] [Kick] [Fill] (fill en último beat)
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BAR 9-12: [Kick] [---] [Kick] [---] (repeat)
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BAR 13-16: [Kick] [---] [Kick] [Fill] (fill en último beat)
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Variaciones para secciones:
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- Verse: Solo kick básico
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- Chorus: Kick más pesados (usar 100_Kick.wav en último beat)
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TRACK 2: SNARE & CLAP
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---------------------
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Snare: /home/ren/musia/source/Snares/ (seleccionar más punch)
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Clap: /home/ren/musia/source/Claps/
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BAR 1-4: [---] [---] [Snare] [---] (dembow snare en beat 3)
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[Clap] [---] [---] [---] (sutil clap en beat 1)
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BAR 5-8: [---] [---] [Snare] [---] (con reverb)
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[Clap] [---] [---] [---] (clap más prominente)
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BAR 9-12: [---] [---] [Snare] [---] (variación)
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[---] [---] [---] [Clap] (clap en beat 4)
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BAR 13-16: [---] [---] [Snare] [---] (double clap)
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[Clap] [---] [Clap] [---] (double en 1 y 3)
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TRACK 3: HI-HATS (Off-beat característico)
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------------------------------------------
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Archivos: /home/ren/musia/source/Hi Hats/30_Hat.wav, 43_Hat.wav, 50_Hat.wav
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PATRÓN OFF-BEAT (cada beat dividido en 8th notes):
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BAR 1-4: [---] [Hat] [---] [Hat] [---] [Hat] [---] [Hat] (off-beat constant)
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BAR 5-8: [---] [Hat] [Acc] [Hat] [---] [Hat] [Acc] [Hat] (acentos en 2.5 y 4.5)
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BAR 9-12: [---] [Hat] [---] [Hat] [---] [Hat] [---] [Hat] (patrón base)
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BAR 13-16: [---] [Hat] [---] [Hat] [---] [Hat] [---] [Fill] (fill en último 8th)
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Variaciones por sección:
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- Verse: Hats sutiles, menos dense
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- Chorus: Hats más presentes, más acentos
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- Bridge: Hats minimalistas
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TRACK 4: LATIN PERCUSSION
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-------------------------
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Archivos: /home/ren/musia/source/Percussions/
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- 02_Conga.wav: Groove en beats 2 y 4
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- 22_Percusion.wav: Acentos en transiciones
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- 47_Perc.wav: Rellenos en fills
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BAR 1-4: [---] [Conga] [---] [---] [---] [Conga] [---] [---] (beats 2 y 4)
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BAR 5-8: [---] [Conga] [---] [Perc] [---] [Conga] [---] [Perc]
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BAR 9-12: [---] [Conga] [---] [---] [---] [Conga] [---] [---]
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BAR 13-16: [---] [Conga] [---] [Perc] [---] [Conga] [---] [Fill]
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TRACK 5: TOMS (Transitions y Fills)
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-----------------------------------
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Archivos: /home/ren/musia/source/Toms/
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Uso: Principalmente en fills y transiciones entre secciones
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Secciones específicas:
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- Transición Verse → Chorus: Fill de 2 compases
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- Transición Chorus → Verse: Fill de 1 compás
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- Bridge: Toms como elemento melódico
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- Final: Rolls y fills largos
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CONFIGURACIÓN DE CLIPS POR SECCIÓN:
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===================================
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INTRO (Bars 1-16):
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- Solo Track 1 (Kick) y Track 3 (Hi-hat sutil)
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- Volumen: -12dB
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- Construcción gradual
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VERSE 1 (Bars 17-32):
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- Tracks 1, 2, 3 activos
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- Track 4 sutil (solo congas)
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- Volumen: -6dB
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CHORUS 1 (Bars 33-48):
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- Todos los tracks activos
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- Añadir Track 5 en fills
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- Volumen: 0dB (full mix)
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VERSE 2 (Bars 49-64):
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- Similar a Verse 1
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- Variaciones en Hi-hat pattern
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- Track 4 más presente
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CHORUS 2 (Bars 65-80):
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- Todos los tracks activos
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- Más densidad en hats
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- Track 5 más activo
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BRIDGE (Bars 81-96):
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- Solo Tracks 1 y 3
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- Hi-hat pattern minimalista
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- Preparación para final
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FINAL CHORUS (Bars 97-128):
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- Todos los tracks activos
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- Máxima densidad
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- Fade out gradual en últimos 8 compases
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NOTAS TÉCNICAS:
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===============
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- Todos los samples deben ser importados desde /home/ren/musia/source/
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- Usar warping para sync perfecto con BPM 88
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- Aplicar compresión ligera en cada track
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- EQ para separar frecuencias (kick en low, hat en high, etc.)
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- Reverb en sends para ambiente latino
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- Delay en hats para profundidad |