REGAETON 2011 - CONFIGURACIÓN DE MIXER Y EFECTOS
================================================

CONFIGURACIÓN MASTER:
====================
BPM: 88
Key: [Seleccionar según sample base]
Time Signature: 4/4
Master Volume: -3dB (headroom para mezcla)

MASTER CHAIN (de arriba a abajo):
1. Glue Compressor (Ratio 4:1, Attack 10ms, Release 100ms)
2. EQ Eight (High-pass 30Hz, Gentle boost en 2-5kHz)
3. Multiband Compressor (Low: gentle, Mid: moderate, High: gentle)
4. Limiter (Ceiling -0.3dB, Release automático)

TRACK 1: KICK DRUM
==================
Samples: /home/ren/musia/source/Kicks/*

VOLUME: -2dB
PAN: 0.0 (center)

EFFECTS CHAIN:
1. EQ Eight
   - High-pass: 25Hz (limpiar sub-bass)
   - Low Shelf (+2dB @ 60Hz): Para peso del kick
   - Bell (+3dB @ 100Hz): Presencia del kick
   - Bell (-2dB @ 400Hz): Limpiar mids
   - High Shelf (+1dB @ 8kHz): Claridad

2. Compressor (Tube)
   - Ratio: 6:1
   - Attack: 5ms
   - Release: 50ms
   - Threshold: -8dB
   - Make-up gain automático

3. Saturator
   - Drive: 15%
   - Type: Soft clip

4. Utility
   - Bass Mono: On
   - Width: 100%

TRACK 2: SNARE & CLAP
=====================
Samples: /home/ren/musia/source/Snares/, /home/ren/musia/source/Claps/

VOLUME: -4dB
PAN: +2 (ligeramente a la derecha para separación del kick)

EFFECTS CHAIN:
1. EQ Eight
   - High-pass: 80Hz (eliminar graves innecesarios)
   - Bell (+2dB @ 200Hz): Cuerpo del snare
   - Bell (+4dB @ 2kHz): Crack del snare
   - Bell (+3dB @ 5kHz): Presencia
   - High Shelf (+2dB @ 10kHz): Brillo

2. Compressor (Studio)
   - Ratio: 8:1
   - Attack: 2ms
   - Release: 80ms
   - Threshold: -12dB
   - Knee: Soft

3. Reverb (Reverb)
   - Room Size: 25%
   - Decay Time: 0.8s
   - Damping: 30%
   - Predelay: 15ms
   - Wet/Dry: 20/80 (enviado vía send)

4. Saturator
   - Drive: 10%

TRACK 3: HI-HATS
================
Samples: /home/ren/musia/source/Hi Hats/*

VOLUME: -8dB
PAN: +5 (ligeramente a la derecha)

EFFECTS CHAIN:
1. EQ Eight
   - High-pass: 200Hz (eliminar graves)
   - Bell (-1dB @ 500Hz): Limpiar mids
   - Bell (+3dB @ 3kHz): Presencia
   - High Shelf (+4dB @ 8kHz): Brillo
   - High Shelf (+2dB @ 15kHz): Air

2. Compressor (Legacy)
   - Ratio: 3:1
   - Attack: 1ms
   - Release: 40ms
   - Threshold: -18dB
   - Make-up gain: +6dB

3. Delay (Ping Pong)
   - Delay Time: 1/8 (110ms @ 88 BPM)
   - Feedback: 15%
   - Wet/Dry: 15/85
   - High Cut: 6kHz
   - Mode: Ping Pong

4. Saturator
   - Drive: 8%

TRACK 4: LATIN PERCUSSION
=========================
Samples: /home/ren/musia/source/Percussions/*

VOLUME: -6dB
PAN: Variable por sample (-8 a +8)

EFFECTS CHAIN POR SUB-GROUP:
A) Congas:
   - EQ Eight: Boost 150Hz (+2dB), High shelf (+3dB @ 10kHz)
   - Compressor: 4:1 ratio, medium attack

B) Other Percussion:
   - EQ Eight: Boost 300Hz (+1dB), High shelf (+4dB @ 12kHz)
   - Compressor: 3:1 ratio, fast attack

C) FX & Rolls:
   - EQ Eight: Full spectrum, High shelf (+5dB @ 8kHz)
   - Compressor: 2:1 ratio, slow attack
   - Reverb: Longer decay (1.2s), Send reverb

Global Effects:
1. Group Compressor: 3:1 ratio
2. Reverb (发送到)
   - Room Size: 40%
   - Decay Time: 1.2s
   - Wet/Dry: 25/75

TRACK 5: TOMS
=============
Samples: /home/ren/musia/source/Toms/*

VOLUME: -10dB
PAN: Variable (-15 a +15)

EFFECTS CHAIN:
1. EQ Eight
   - High-pass: 60Hz
   - Bell (+2dB @ 100Hz): Cuerpo
   - Bell (-1dB @ 800Hz): Limpiar
   - Bell (+3dB @ 2kHz): Attack
   - High Shelf (+2dB @ 6kHz): Claridad

2. Compressor (Vintage)
   - Ratio: 4:1
   - Attack: 10ms
   - Release: 200ms
   - Threshold: -15dB

3. Reverb (Convolution)
   - Impulse: "Vintage Plate" o "Concert Hall"
   - Wet/Dry: 30/70
   - Predelay: 25ms

4. Delay (Simple)
   - Delay Time: 1/4 (220ms)
   - Feedback: 20%
   - Wet/Dry: 20/80

EFECTOS GLOBALES (SENDS):
==========================

SEND A: REVERB ROOM
- Destination: Reverb (Large Room)
- Send Amount:
  * Track 1 (Kick): 0%
  * Track 2 (Snare): 15%
  * Track 3 (Hats): 10%
  * Track 4 (Perc): 20%
  * Track 5 (Toms): 25%

SEND B: DELAY ECHO
- Destination: Delay (1/8 Ping Pong)
- Send Amount:
  * Track 1 (Kick): 0%
  * Track 2 (Snare): 8%
  * Track 3 (Hats): 15%
  * Track 4 (Perc): 12%
  * Track 5 (Toms): 18%

SEND C: SATURATION BUS
- Destination: Saturator + Glue Compressor
- Send Amount: 5% de cada track
- Purpose: Armonicos sutiles y glue

CONFIGURACIÓN POR SECCIÓN:
==========================

INTRO (Bars 1-16):
- Bypass: Sends A, B, C
- Track 1: -6dB, Track 3: -12dB
- Filtros: High-pass adicional en hats (300Hz)

VERSE (Bars 17-32, 49-64):
- Send A: 10% (snare, percusión)
- Send B: 5% (hats)
- Volumen total: -3dB

CHORUS (Bars 33-48, 65-80, 97-128):
- Send A: 15-20%
- Send B: 10-15%
- Send C: 8%
- Volumen total: 0dB (full mix)

BRIDGE (Bars 81-96):
- Send A: 5%
- Send B: 0%
- Volumen total: -6dB
- Bypass: Track 4, 5

FINAL (Bars 113-128):
- Gradualmente aumentar Send A y B
- Automatización: Fade out en últimos 8 bars
- Master Limiter: Reducir ceiling a -1dB

CONFIGURACIÓN DE AUTOMATION:
============================

Bars 1-16 (Intro):
- Track 1 Volume: -∞ → -6dB (ramp)
- Track 3 Volume: -∞ → -12dB (ramp)

Bars 17-32 (Verse 1):
- Track 2 Volume: -∞ → -4dB (fade in)
- Track 4 Volume: -∞ → -6dB (fade in)

Bars 33-48 (Chorus 1):
- Track 5 Volume: -∞ → -10dB (fade in fills)
- Send A: 0% → 15%

Bars 81-96 (Bridge):
- Automatización de filtros para crear contraste

Bars 97-112 (Final Chorus):
- Gradual increase de todos los sends
- Master Volume automation para fade out

RECOMENDACIONES FINALES:
=======================
1. Siempre usar referencias de mezcla profesional de reggaeton 2011
2. Verificar mono-compatibilidad del kick
3. Asegurar separación frequencies entre kick (60-120Hz) y snare (200Hz-2kHz)
4. Mantener hi-hats brillantes pero no estridentes
5. El groove debe ser sólido en sistemas de altavoces pequeños
6. Exportar en 24-bit/44.1kHz para mejor calidad