feat: Complete music project templates and generation system

🎵 Major Additions: 📁 2000s Pop Project Templates: - Chords & melody patterns - Drum patterns and rhythms - Synth bass configurations - Effects and mixing guides - Complete project structure documentation 🧬 ALS Generation System: - Fixed ALS generator with enhanced capabilities - Setup scripts for easy deployment - Comprehensive README and documentation - Quick start guide for users - Utility commands reference 🎼 Musical Projects: - Salsa project (Hector Lavoe inspired) with full documentation - 2000s Pop project with complete production guide 🔧 Utility Scripts: - generate_salsa_project.py: Salsa-specific generator - generate_versioned_als.py: Versioned project generation - register_project.py: Project registration system This significantly expands MusiaIA's capabilities with pre-built project templates and production-ready examples for multiple genres! Generated with Claude Code Co-Authored-By: Claude <noreply@anthropic.com>
2025-12-02 01:14:03 +00:00
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+========================================
+    Y2K POP - EFFECTS & MIXING GUIDE
+========================================
+
+🎛️ MIXING PHILOSOPHY: Clean, punchy, radio-ready
+🎚️ STYLE: Pop del 2000 con carácter retro-futurista
+🌟 REFERENCE: Britney Spears, *NSYNC, Destiny's Child era
+
+========================================
+    MASTER CHAIN SETUP
+========================================
+
+MASTER BUS CHAIN (Left to Right):
+1. Utility (Gain: -6dB)
+2. Glue Compressor (Ratio: 4:1, Attack: 5ms, Release: 100ms)
+3. EQ Eight (High Pass: 20Hz, Low Pass: 18kHz)
+4. Saturator (Drive: 15%)
+5. Multiband Compressor
+   - Low Band: 80Hz, Ratio 2:1
+   - Mid Band: 1kHz, Ratio 3:1
+   - High Band: 8kHz, Ratio 2.5:1
+6. Stereo Imager (Width: 120%)
+7. Multiband Envelope Shaper
+8. Limiter (Ceiling: -0.3dB, Release: 50ms)
+
+MASTER SETTINGS:
+- Output Level: -6dB
+- Phase: Linear Phase
+- Stereo Link: On
+
+========================================
+    DRUM MIXING
+========================================
+
+KICK DRUM (source/Kicks/70_Kick.wav):
+CHAIN:
+1. EQ Three
+   - Low Shelf: +3dB at 60Hz
+   - High Shelf: +1dB at 5kHz
+   - Bell: +2dB at 3kHz
+2. Compressor
+   - Ratio: 6:1
+   - Attack: 3ms
+   - Release: 80ms
+   - Threshold: -12dB
+3. Saturator (Tube)
+   - Drive: 25%
+4. Sidechain (To Lead Synths)
+   - Frequency: 120Hz
+   - Range: -6dB
+
+SNARE DRUM (source/Snares/54_Snare.wav):
+CHAIN:
+1. EQ Three
+   - High Pass: 40Hz
+   - Bell: +4dB at 200Hz
+   - Bell: +3dB at 2kHz
+   - High Shelf: +2dB at 8kHz
+2. Parallel Compressor
+   - Compressor A: Ratio 8:1, Fast attack
+   - Compressor B: Ratio 2:1, Slow attack
+3. Reverb (Hall)
+   - Pre-Delay: 15ms
+   - Decay: 800ms
+   - Wet/Dry: 15%
+4. Multiband Envelope Shaper (High freq)
+
+HI-HAT (source/Hi Hats/79_Hat.wav + 90_Hat.wav):
+CHAIN:
+1. EQ Eight
+   - High Pass: 200Hz
+   - Low Pass: 10kHz
+   - Bell: +2dB at 6kHz
+2. Compressor (Fast)
+   - Ratio: 4:1
+   - Attack: 1ms
+   - Release: 50ms
+3. Transient Shaper (Enhance attack)
+
+CLAP (source/Claps/88_Clap.wav + 95_Clap.wav):
+CHAIN:
+1. EQ Seven
+   - High Pass: 100Hz
+   - Bell: +3dB at 400Hz
+   - High Shelf: +2dB at 10kHz
+2. Compressor
+   - Ratio: 5:1
+   - Attack: 2ms
+   - Release: 100ms
+3. Reverb (Short room)
+   - Decay: 300ms
+   - Wet/Dry: 10%
+
+========================================
+    BASS MIXING
+========================================
+
+SUB BASS:
+CHAIN:
+1. EQ One
+   - Low Shelf: +4dB at 40Hz
+   - High Pass: 25Hz
+   - Bell: -2dB at 200Hz
+2. Compressor
+   - Ratio: 8:1
+   - Attack: 10ms
+   - Release: 150ms
+   - Makeup: +3dB
+3. Saturator (Warm)
+   - Drive: 30%
+4. Auto-Filter (Sidechain to Kick)
+   - Frequency: 50Hz
+   - Envelope: -12dB
+
+ANALOG BASS:
+CHAIN:
+1. EQ Three
+   - High Pass: 40Hz
+   - Bell: +3dB at 80Hz
+   - Bell: +2dB at 300Hz
+   - Low Pass: 5kHz
+2. Chorus (Dual)
+   - Rate: 0.6Hz
+   - Depth: 30%
+   - Wet/Dry: 40%
+3. Compressor
+   - Ratio: 4:1
+   - Attack: 20ms
+   - Release: 200ms
+4. Multiband Envelope Shaper
+
+========================================
+    SYNTH MIXING
+========================================
+
+TRANCE LEAD (source/Synth Track 3):
+CHAIN:
+1. EQ Eight
+   - High Pass: 100Hz
+   - Bell: +2dB at 1.5kHz
+   - High Shelf: +3dB at 8kHz
+2. Reverb (Hall)
+   - Pre-Delay: 25ms
+   - Decay: 2.2s
+   - Wet/Dry: 30%
+   - Size: Large
+3. Ping-Pong Delay
+   - Time: 1/8 note
+   - Feedback: 25%
+   - High Cut: 6kHz
+   - Wet/Dry: 20%
+4. Chorus
+   - Rate: 0.4Hz
+   - Depth: 35%
+   - Wet/Dry: 30%
+5. Compressor (Parallel)
+   - Slow attack for punch
+
+PLUCK SYNTH:
+CHAIN:
+1. EQ Seven
+   - High Pass: 150Hz
+   - Bell: +2dB at 2kHz
+   - High Shelf: +1dB at 10kHz
+2. Reverb (Plate)
+   - Decay: 1.2s
+   - Pre-Delay: 10ms
+   - Wet/Dry: 15%
+3. Compressor
+   - Ratio: 3:1
+   - Attack: 5ms
+   - Release: 100ms
+
+AMBIENT PAD:
+CHAIN:
+1. EQ Eight (Gentle)
+   - High Pass: 80Hz
+   - Low Pass: 8kHz
+2. Reverb (Cathedral)
+   - Decay: 4s
+   - Pre-Delay: 50ms
+   - Wet/Dry: 40%
+3. Chorus (Slow)
+   - Rate: 0.2Hz
+   - Depth: 50%
+   - Wet/Dry: 25%
+4. Multiband Compressor
+   - Gentle compression
+
+========================================
+    VOCAL MIXING
+========================================
+
+LEAD VOCAL:
+CHAIN:
+1. De-Esser
+   - Frequency: 6kHz
+   - Threshold: -15dB
+2. EQ Three
+   - High Pass: 80Hz
+   - Bell: +3dB at 250Hz
+   - Bell: +2dB at 2kHz
+   - Bell: +3dB at 10kHz
+3. Compressor 1 (Fast)
+   - Ratio: 5:1
+   - Attack: 3ms
+   - Release: 50ms
+   - Threshold: -18dB
+4. Compressor 2 (Slow)
+   - Ratio: 2:1
+   - Attack: 30ms
+   - Release: 300ms
+   - Threshold: -8dB
+5. Auto-Tune
+   - Correction: 50%
+   - Speed: 75%
+6. Reverb (Hall)
+   - Decay: 1.8s
+   - Pre-Delay: 30ms
+   - Wet/Dry: 20%
+7. Delay (Dotted 1/8)
+   - Time: 280ms
+   - Feedback: 15%
+   - Wet/Dry: 10%
+
+BACKING VOCALS:
+CHAIN:
+1. High Pass: 120Hz
+2. Compressor: 3:1 ratio
+3. Reverb (Short room): 15% wet
+4. Stereo delay: 15ms L/R offset
+
+========================================
+    STEREO IMAGING
+========================================
+
+ELEMENT POSITIONING:
+
+CENTER:
+- Lead Vocal
+- Kick Drum
+- Sub Bass
+- Main Snare
+
+SLIGHT LEFT:
+- Analog Bass
+- Lead Synth
+
+SLIGHT RIGHT:
+- Piano
+- Pluck Synth
+
+WIDE LEFT:
+- BGV 1
+- String section (left)
+
+WIDE RIGHT:
+- BGV 2
+- String section (right)
+
+FULL WIDTH:
+- Ambient Pad
+- Hi-Hat (panning automation)
+- Percussion
+
+========================================
+    AUTOMATION CURVES
+========================================
+
+KICK COMPRESSION (Through Song):
+Verse: Ratio 4:1
+Pre-Chorus: Ratio 5:1
+Chorus: Ratio 6:1
+Bridge: Ratio 2:1 (loose)
+
+HI-HAT FILTER SWEEP:
+Bar 1-4: Closed (100Hz cutoff)
+Bar 5-8: Open (full range)
+Bar 9-12: Medium (2kHz cutoff)
+Bar 13-16: Closed → Open sweep
+
+SNARE REVERB SEND:
+Verse: -20dB
+Pre-Chorus: -15dB
+Chorus: -10dB
+Bridge: -25dB
+
+LEAD SYNTH VOLUME:
+Intro: -∞dB → -12dB (bar 8)
+Verse: -12dB
+Pre-Chorus: -8dB
+Chorus: 0dB (full)
+Bridge: -18dB
+Final Chorus: 0dB
+
+VOCAL DOUBLING:
+Verse: No doubling
+Pre-Chorus: Light doubling
+Chorus: Full doubling
+Bridge: Single vocal
+Final Chorus: Triple layering
+
+========================================
+    FREQUENCY SEPARATION CHART
+========================================
+
+20-40Hz: Sub Bass fundamentals
+40-80Hz: Kick punch, Sub bass presence
+80-160Hz: Bass warmth, Snare body
+160-320Hz: Vocal presence, Piano fundamental
+320-640Hz: Vocal clarity, Synth mid
+640Hz-1.3kHz: Vocal mids, Guitar overtones
+1.3-2.5kHz: Vocal consonants, Snare snap
+2.5-5kHz: Vocal presence, Hi-hat attack
+5-10kHz: Vocal air, Cymbals, Synth sparkle
+10-20kHz: Ambient, Reverb tails
+
+========================================
+    EFFECTS AUTOMATION
+========================================
+
+INTRO AUTOMATION:
+- Reverb sends: 0% → 20% (gradual build)
+- Compression: Loose → tight
+- Filter sweeps: Closed → open
+
+VERSE AUTOMATION:
+- Vocal reverb: Constant 20%
+- Hi-hat pan: L → R → L (slow)
+- Synth filter: Static
+
+PRE-CHORUS AUTOMATION:
+- Reverb sends: +5% on all elements
+- Delay feedback: +10%
+- Compression: Tighter ratios
+
+CHORUS AUTOMATION:
+- All reverb sends: Full level
+- Stereo width: Maximum
+- Lead vocal: Auto-Tune more subtle
+
+BRIDGE AUTOMATION:
+- Most effects: Dramatic reduction
+- Vocal reverb: Increased (contrast)
+- Hi-hat: Increased movement
+
+FINAL CHORUS AUTOMATION:
+- All effects: Maximum
+- Add extra delay on lead vocal
+- Pitch bend effects on synth
+
+========================================
+    SIDE CHAIN SETUP
+========================================
+
+KICK TO BASS:
+- Frequency: 80Hz
+- Range: -8dB
+- Release: Auto
+
+KICK TO LEAD SYNTH:
+- Frequency: 200Hz
+- Range: -4dB
+- Release: 200ms
+
+SNARE TO PAD:
+- Frequency: 1kHz
+- Range: -3dB
+- Release: Auto
+
+========================================
+    VOCAL LAYERING GUIDE
+========================================
+
+VERSE LAYERS:
+- Lead: Solo
+- Double: No
+- Harmony: Minimal (one BGV)
+
+PRE-CHORUS LAYERS:
+- Lead: Main
+- Double: Light touch
+- Harmony: Basic 3-part
+
+CHORUS LAYERS:
+- Lead: Full
+- Double: Heavy (2-3 tracks)
+- Harmony: Full 4-part arrangement
+- Ad-libs: Minimal
+
+FINAL CHORUS LAYERS:
+- Lead: Triple tracked
+- Double: Multiple
+- Harmony: Full choir-like
+- Ad-libs: Extensive
+
+========================================
+    MASTERING TOUCHES
+========================================
+
+FINAL MASTER CHAIN:
+1. Linear Phase EQ
+   - Slight high-pass at 25Hz
+   - Gentle low-pass at 20kHz
+   - +/- 0.5dB corrections
+
+2. Multiband Compression
+   - Low: 2:1 ratio, soft knee
+   - Mid: 3:1 ratio, medium knee
+   - High: 2.5:1 ratio, soft knee
+
+3. Stereo Enhancement
+   - Mid/Side processing
+   - Gentle high-frequency widening
+
+4. Limiting
+   - Peak Limit: -0.3dB
+   - Look-ahead: 5ms
+   - Release: 50ms
+
+LOUDNESS TARGET:
+- Integrated LUFS: -14
+- True Peak: -1.0dBTP
+- Dynamic Range: 7-9 LU
+
+========================================
+    EXPORT SETTINGS
+========================================
+
+MASTER OUTPUT:
+- Sample Rate: 44.1kHz
+- Bit Depth: 24-bit
+- Format: WAV
+
+INDIVIDUAL TRACKS:
+- Export each instrument separately
+- 44.1kHz, 24-bit
+- For mixing/mastering externally
+
+MIXDOWN VERSIONS:
+1. Instrumental (no vocals)
+2. A cappella (vocals only)
+3. TV mix (vocals + music)
+
+========================================
+    REAL-TIME PERFORMANCE SETUP
+========================================
+
+LIVE PERFORMANCE RACKS:
+1. Drum Rack (all source samples)
+2. Bass Synth Rack
+3. Lead Synth Rack
+4. Vocal FX Rack
+5. Master FX Rack
+
+MIDI MAPPING:
+- Crossfader: For mix blending
+- Macro controls: For real-time tweaks
+- Track volumes: Individual control
+
+PERFORMANCE AUTOMATIONS:
+- Pre-programmed automation clips
+- Real-time manual control
+- Scene-based transitions
+
+========================================
+    QUALITY CONTROL CHECKLIST
+========================================
+
+□ All elements fit in frequency spectrum
+□ No masking between bass and kick
+□ Vocal sits clearly in mix
+□ Hi-hats provide movement without fatigue
+□ Reverb creates space without mud
+□ Compression maintains punch
+□ Stereo imaging creates width without phase issues
+□ Transitions smooth between sections
+□ Overall loudness competitive
+□ No digital clipping
+□ Phase relationships correct
+□ Mastering chain transparent
+
+========================================
+    NEXT STEPS
+========================================
+
+1. Import all source samples to Ableton
+2. Set up effect chains per track
+3. Create automation clips
+4. Mix all elements together
+5. Apply mastering chain
+6. Export and reference against pop hits of 2000
+7. Make final adjustments
+
+¡Pista de pop del 2000 completa! 🎵🔥