chore: Add comprehensive sample library and production resources

📁 New Additions: - Docker Compose configuration for easy deployment - Sample Library: 20+ high-quality audio samples (FX & Rolls) - Project Example: Complete reggaeton_2011_project with documentation * Clip programming details * Mixer effects configuration * Pattern details and README - Scripts: Claude CLI integration script - File Browser: Configuration for easy file management 📝 Updated Files: - README.md: Enhanced documentation - ai_clients.py: Further improvements to AI orchestration - sample_library.py: Enhanced sample selection logic 🎵 Sample Library: - FX & Rolls collection with various percussion elements - Reverse snares, kicks, rolls, bells, and percussion - All samples in .asd format (Ableton sample analysis data) This adds substantial production-ready resources to MusiaIA, making it much more capable of generating diverse music projects! Generated with Claude Code Co-Authored-By: Claude <noreply@anthropic.com>
2025-12-01 21:18:21 +00:00
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+REGAETON 2011 - CONFIGURACIÓN DE MIXER Y EFECTOS
+================================================
+
+CONFIGURACIÓN MASTER:
+====================
+BPM: 88
+Key: [Seleccionar según sample base]
+Time Signature: 4/4
+Master Volume: -3dB (headroom para mezcla)
+
+MASTER CHAIN (de arriba a abajo):
+1. Glue Compressor (Ratio 4:1, Attack 10ms, Release 100ms)
+2. EQ Eight (High-pass 30Hz, Gentle boost en 2-5kHz)
+3. Multiband Compressor (Low: gentle, Mid: moderate, High: gentle)
+4. Limiter (Ceiling -0.3dB, Release automático)
+
+TRACK 1: KICK DRUM
+==================
+Samples: /home/ren/musia/source/Kicks/*
+
+VOLUME: -2dB
+PAN: 0.0 (center)
+
+EFFECTS CHAIN:
+1. EQ Eight
+   - High-pass: 25Hz (limpiar sub-bass)
+   - Low Shelf (+2dB @ 60Hz): Para peso del kick
+   - Bell (+3dB @ 100Hz): Presencia del kick
+   - Bell (-2dB @ 400Hz): Limpiar mids
+   - High Shelf (+1dB @ 8kHz): Claridad
+
+2. Compressor (Tube)
+   - Ratio: 6:1
+   - Attack: 5ms
+   - Release: 50ms
+   - Threshold: -8dB
+   - Make-up gain automático
+
+3. Saturator
+   - Drive: 15%
+   - Type: Soft clip
+
+4. Utility
+   - Bass Mono: On
+   - Width: 100%
+
+TRACK 2: SNARE & CLAP
+=====================
+Samples: /home/ren/musia/source/Snares/, /home/ren/musia/source/Claps/
+
+VOLUME: -4dB
+PAN: +2 (ligeramente a la derecha para separación del kick)
+
+EFFECTS CHAIN:
+1. EQ Eight
+   - High-pass: 80Hz (eliminar graves innecesarios)
+   - Bell (+2dB @ 200Hz): Cuerpo del snare
+   - Bell (+4dB @ 2kHz): Crack del snare
+   - Bell (+3dB @ 5kHz): Presencia
+   - High Shelf (+2dB @ 10kHz): Brillo
+
+2. Compressor (Studio)
+   - Ratio: 8:1
+   - Attack: 2ms
+   - Release: 80ms
+   - Threshold: -12dB
+   - Knee: Soft
+
+3. Reverb (Reverb)
+   - Room Size: 25%
+   - Decay Time: 0.8s
+   - Damping: 30%
+   - Predelay: 15ms
+   - Wet/Dry: 20/80 (enviado vía send)
+
+4. Saturator
+   - Drive: 10%
+
+TRACK 3: HI-HATS
+================
+Samples: /home/ren/musia/source/Hi Hats/*
+
+VOLUME: -8dB
+PAN: +5 (ligeramente a la derecha)
+
+EFFECTS CHAIN:
+1. EQ Eight
+   - High-pass: 200Hz (eliminar graves)
+   - Bell (-1dB @ 500Hz): Limpiar mids
+   - Bell (+3dB @ 3kHz): Presencia
+   - High Shelf (+4dB @ 8kHz): Brillo
+   - High Shelf (+2dB @ 15kHz): Air
+
+2. Compressor (Legacy)
+   - Ratio: 3:1
+   - Attack: 1ms
+   - Release: 40ms
+   - Threshold: -18dB
+   - Make-up gain: +6dB
+
+3. Delay (Ping Pong)
+   - Delay Time: 1/8 (110ms @ 88 BPM)
+   - Feedback: 15%
+   - Wet/Dry: 15/85
+   - High Cut: 6kHz
+   - Mode: Ping Pong
+
+4. Saturator
+   - Drive: 8%
+
+TRACK 4: LATIN PERCUSSION
+=========================
+Samples: /home/ren/musia/source/Percussions/*
+
+VOLUME: -6dB
+PAN: Variable por sample (-8 a +8)
+
+EFFECTS CHAIN POR SUB-GROUP:
+A) Congas:
+   - EQ Eight: Boost 150Hz (+2dB), High shelf (+3dB @ 10kHz)
+   - Compressor: 4:1 ratio, medium attack
+
+B) Other Percussion:
+   - EQ Eight: Boost 300Hz (+1dB), High shelf (+4dB @ 12kHz)
+   - Compressor: 3:1 ratio, fast attack
+
+C) FX & Rolls:
+   - EQ Eight: Full spectrum, High shelf (+5dB @ 8kHz)
+   - Compressor: 2:1 ratio, slow attack
+   - Reverb: Longer decay (1.2s), Send reverb
+
+Global Effects:
+1. Group Compressor: 3:1 ratio
+2. Reverb (发送到)
+   - Room Size: 40%
+   - Decay Time: 1.2s
+   - Wet/Dry: 25/75
+
+TRACK 5: TOMS
+=============
+Samples: /home/ren/musia/source/Toms/*
+
+VOLUME: -10dB
+PAN: Variable (-15 a +15)
+
+EFFECTS CHAIN:
+1. EQ Eight
+   - High-pass: 60Hz
+   - Bell (+2dB @ 100Hz): Cuerpo
+   - Bell (-1dB @ 800Hz): Limpiar
+   - Bell (+3dB @ 2kHz): Attack
+   - High Shelf (+2dB @ 6kHz): Claridad
+
+2. Compressor (Vintage)
+   - Ratio: 4:1
+   - Attack: 10ms
+   - Release: 200ms
+   - Threshold: -15dB
+
+3. Reverb (Convolution)
+   - Impulse: "Vintage Plate" o "Concert Hall"
+   - Wet/Dry: 30/70
+   - Predelay: 25ms
+
+4. Delay (Simple)
+   - Delay Time: 1/4 (220ms)
+   - Feedback: 20%
+   - Wet/Dry: 20/80
+
+EFECTOS GLOBALES (SENDS):
+==========================
+
+SEND A: REVERB ROOM
+- Destination: Reverb (Large Room)
+- Send Amount:
+  * Track 1 (Kick): 0%
+  * Track 2 (Snare): 15%
+  * Track 3 (Hats): 10%
+  * Track 4 (Perc): 20%
+  * Track 5 (Toms): 25%
+
+SEND B: DELAY ECHO
+- Destination: Delay (1/8 Ping Pong)
+- Send Amount:
+  * Track 1 (Kick): 0%
+  * Track 2 (Snare): 8%
+  * Track 3 (Hats): 15%
+  * Track 4 (Perc): 12%
+  * Track 5 (Toms): 18%
+
+SEND C: SATURATION BUS
+- Destination: Saturator + Glue Compressor
+- Send Amount: 5% de cada track
+- Purpose: Armonicos sutiles y glue
+
+CONFIGURACIÓN POR SECCIÓN:
+==========================
+
+INTRO (Bars 1-16):
+- Bypass: Sends A, B, C
+- Track 1: -6dB, Track 3: -12dB
+- Filtros: High-pass adicional en hats (300Hz)
+
+VERSE (Bars 17-32, 49-64):
+- Send A: 10% (snare, percusión)
+- Send B: 5% (hats)
+- Volumen total: -3dB
+
+CHORUS (Bars 33-48, 65-80, 97-128):
+- Send A: 15-20%
+- Send B: 10-15%
+- Send C: 8%
+- Volumen total: 0dB (full mix)
+
+BRIDGE (Bars 81-96):
+- Send A: 5%
+- Send B: 0%
+- Volumen total: -6dB
+- Bypass: Track 4, 5
+
+FINAL (Bars 113-128):
+- Gradualmente aumentar Send A y B
+- Automatización: Fade out en últimos 8 bars
+- Master Limiter: Reducir ceiling a -1dB
+
+CONFIGURACIÓN DE AUTOMATION:
+============================
+
+Bars 1-16 (Intro):
+- Track 1 Volume: -∞ → -6dB (ramp)
+- Track 3 Volume: -∞ → -12dB (ramp)
+
+Bars 17-32 (Verse 1):
+- Track 2 Volume: -∞ → -4dB (fade in)
+- Track 4 Volume: -∞ → -6dB (fade in)
+
+Bars 33-48 (Chorus 1):
+- Track 5 Volume: -∞ → -10dB (fade in fills)
+- Send A: 0% → 15%
+
+Bars 81-96 (Bridge):
+- Automatización de filtros para crear contraste
+
+Bars 97-112 (Final Chorus):
+- Gradual increase de todos los sends
+- Master Volume automation para fade out
+
+RECOMENDACIONES FINALES:
+=======================
+1. Siempre usar referencias de mezcla profesional de reggaeton 2011
+2. Verificar mono-compatibilidad del kick
+3. Asegurar separación frequencies entre kick (60-120Hz) y snare (200Hz-2kHz)
+4. Mantener hi-hats brillantes pero no estridentes
+5. El groove debe ser sólido en sistemas de altavoces pequeños
+6. Exportar en 24-bit/44.1kHz para mejor calidad